Two hours in the park

Copyright © 2013 Deborah M. Zajac. All Rights Reserved.

 

Last Saturday I had the pleasure of going birding with a my friend Dali. We heard the Cedar Waxwings were returning, and we hoped to find them.

We found a good size flock of them zipping through the Aspens, and pines in the park.  We spent most the morning photographing them.

Cedar WaxwingWe spotted several other birds too. I managed to nail this photo of a White Crown Sparrow as it was just about to take off.

White Crowned Sparrow taking offThere was an old dead tree along the creek that had several Acorn Woodpeckers, and Starlings perched on it. Here’s an Acorn Woodpecker taking a quick break from pecking for bugs.

Acorn WoodpeckerIn the wooded area we came across these lovely berries. I don’t know what plant this is, but it was lovely in the morning light, and the colors were vibrant, and perfect for the season.

Spiky BerriesIt was in this area we also saw several Anna’s Hummingbirds flitting around.

Anna's Hummingbird profileDali says this is a Yellow Throat Warbler. If it is this is the first one I’ve ever seen.

Yellow Throat WarblerHere are a few more Cedar Waxwings. I just love seeing them. They’re so exotic.

Cedar Waxwing_0878

The Aspens in the park were at peak Fall color, and the Waxwings liked being in the yellow branches.

Cedar on Aspen…and here’s one that was high on top of a tree feathering its nest.

Feathering the Nest

It was a very successful outing for birding, and a lovely way to spend two hours.

All the photos were taken with a Nikon D300s with a Nikkor 300mm f/4 lens, hand-held.

 

 

 

 

“I feel the sense of possibilities, I feel the wrench of hard realities, The focus is sharp in the city.”~ Rush

Via Flickr:
Copyright © 2013 Deborah M. Zajac All Rights Reserved

About 2.5 years ago I saw my Flickr contact MattyD90’s photo from this spot and have had it on my "Bucket List" since.
See his photo here:
www.flickr.com/photos/53734358@N08/5280329228/lightbox/

About two weeks ago I asked my friend Dali if he’d want to shoot it and/or scout out the area if we didn’t beat the fog. As it turned out we did not beat the fog, but we found our shooting location. Dali emailed me yesterday that the conditions for shooting this shot were favorable and asked if I was free. Luckily I was free.There was a little atmosphere (read fog) in the air, but it didn’t block the view.

I only took two lenses with me the 24-70, and the 18mm f3.5 AI-S. I realized while shooting it that having a tighter view would be something I want to shoot as well, and
I want to shoot it on a perfectly clear night so it remains on the "Bucket List".

Nikon D700| Nikkor 24-70@ 70mm| f14| 30seconds| ISO 200| Manual Priority| Center weighted| Tripod

Tufted Puffin-Adult Summer

Copyright © 2013 Deborah M. Zajac. All Rights Reserved.

Tufted Puffin-Adult SummerThis is the first time I’ve ever seen a Puffin in the wild! I went on a Birding trip out to the Farallon Islands 27 miles outside of San Francisco in the Pacific Ocean. We weren’t allowed on the island-only Biologists are allowed on the island, but we cruised all around them and then we went out to deeper water from there. Along the way we saw 3 Tufted Puffin.

There are only 50 pairs of Tufted Puffin nesting on the Islands at this time, but there thousands of gulls, Common Murre’s, lots of Cormorants, seals, sea lions, and one lone Gannet. In deeper water we saw Hump Back whales, and a Blue Whale too.

I saw so many new birds on the trip, and the one bird I hoped to see was the Tufted Puffin. I went home a happy sailor just seeing one. I hoped I got one good shot.
The weather was overcast, and to get the shutter speed I needed I really pushed the ISO. Shooting from the boat was challenging. I would focus on a bird then the boat would go up or down and my focus point was off. I didn’t start to get the rhythm of the sea til near the end of the day, and then there wasn’t much to see as we were pushing hard to get back.
We were out at sea for nearly 9 hours.  I went with Alvaro’s Adventures out of Half Moon Bay. I would definitely go again.

Alvaro is a Biologist, and he had two expert birders along for the tour. One was on the starboard side calling out birds and mammals, and the other on the Port side doing the same. I don’t think we missed anything flying or swimming on our route.

I’ve not been able to spend much time online lately. #1 Grandson is very busy and takes all my attention these days. I’m looking at your  photos when I can and I’ll catch up soon!

Nikon D700| Nikkor 70-300mm VR@ 280mm| f9| 1/1000s| ISO 1250| Manual priority| Matrix Metering| Hand-held

Polaris over the Charcoal Kilns Death Valley National Monument

Copyright © 2013 Deborah M Zajac. All Rights Reserved.

A year or two ago I saw my friend Rick Whitacre’s photograph of the Charcoal Kilns with Star-trails and loved it so much I hoped to photograph it myself on my next trip to Death Valley.  The first two nights of my recent visit to Death Valley National Monument I had clouds or partial cloudy skies, but the last night the sky was clear so He-Man and I headed to the Wildrose Charcoal Kilns so I could make a photograph of the kilns with star-trails.

Star Trails over the Charcoal Kilns Death Valley CaliforniaHe-Man and I drove out the Charcoal Kilns arriving just before sunset.  I got my gear out and started planning and plotting my composition. Once I found my composition I started thinking about lighting the kiln doors.  I went inside several of the kilns to check out the size of the opening, and where the best place to stand might be. I’m glad we arrived here while it was light enough to see inside each kiln. If I had arrived in the dark I would have been a little apprehensive about critters sleeping inside the kilns, but they were empty.  On a side note: They’re huge inside!

He-Man was going to light the doors for me so we did a timed test-run to see if he would be able to get all the doors lit in one 2 minute exposure. I had purchased a Brinkman light (thanks Marsha for the model info!) I also brought my Rogue Gels along to use to change the light from white to an orange-yellow  to look like there was fire in the kilns, but  when it got dark enough to start shooting we did another trail run using the light, and it wasn’t quite as bright as I had hoped for. Thinking that might happen I also packed my Nikon SB600 Speedlight. I taught He-Man how to set the flash off then we did another trial run. Loving what I saw using the Speedlight I made my final test shots for my star trails then set up my Intervelometer to begin my series.

It was quite a bit cooler up here than it was down in the valley so I needed my jacket before I wrapped up for the night. There was a Hoot Owl in the trees behind me softly hooting, and there were crickets chirping, but no other sounds. He-Man had gone to the car to read and wait for me.  It was peaceful. I found my “happy place” here.
Thank you He-Man for lighting each door so well and for going with me! I’m really happy with this photo.

Nikon D700| Nikkor 17-35@17mm| f4| 30 frames stacked in CS6| 121 seconds| ISO 200| Manual Priority| Tripod

A couple of my friends have also traveled to Death Valley and made their own photo here please take a look!

Phil McGrew- Startrails over Wildrose Kilns

Alex Baranda- Stars and Kilns

For the History Buffs-

Wildrose Charcoal Kilns

“In 1877 construction on the kilns was completed. The produced charcoal that was used as fuel for two silver-lead smelters  that George Hearst had in the Argus Range 25 miles away.  The kilns operated until 1878 when the Argus mines shut down.

There are 10 kilns which stand 25ft tall, and have an approximate circumference of 30ft. Each kiln held 42 cords of pinyon pine logs, and would burn for a week producing 2,000 bushels of charcoal.” ~Digital Desert.com  http://digital-desert.com/death-valley-history/wildrose-kilns.html

Santa Cruz Sunset and Golden Hour

Copyright © 2013 Deborah M. Zajac. All Rights Reserved.

Last night’s sunset in Santa Cruz, California. There wasn’t much color in the sky, but the Golden Hour light on this rock formation was really pretty I thought. It also made the ocean a lovely Jade green color.
It was also great seeing and hanging out with friends Dali and Alex, and a big shout out and Thank You to Dali for driving!

Santa Cruz Sunset and the Golden Hour

Camera Settings:

Nikon D700| Nikkor 2470@24mm| f9| 2 seconds| ISO 160| Manual Priority| Matrix Metering| Tripod| B+W Neutral Density filter

Developed in Lightroom 4 then finished up in Photoshop CS6 for exporting.

Mossbrea Falls

Mossbrea Falls, originally uploaded by dmzajac2004-.

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Copyright © 2011 Deborah M Zajac. All Rights Reserved.

One from my archive. This fall is in Northern CA. It’s quite an adventure to get to it. There is no trail to the fall. One must walk along railroad tracks for about a mile. Trains still use the track so you might have to jump out-of-the-way and wait for the train to pass on your way to or from the fall.

Once there if it’s been a wet season you’re rewarded with a wall of water cascading down the mountain. I believe the length of the wall or mountain side that the fall cascades down is as long as a football field. I had to shoot it in bits and pieces To take it all in at once was a bit overwhelming at first. The only way I could “see” to photograph it was to break it down into manageable frames.
I’ve looked at my photos off and on since I took them never being motivated to process them beyond a few basic adjustments then I saved them as PSD’s, closed the file and moved on.
I took another look at the “works in progress” over the week-end because I’m planning to pass this way again next month and I’d like to revisit the fall on my way north.
While looking at them again I finished a few photos here’s the first.

Nikon D300s| Nikkor 17-35mm| B+W Neutral Density filter 0.9