In medias res

Copyright © 2012 Deborah M. Zajac. All Rights Reserved.

I’ve just returned from  Oregon. I was on a birding expedition with some friends who are also photographers. We spent a couple of days in the Klamath Basin looking  for Clark and/or Western Grebes doing their Spring mating ceremony and dance or what the Scientist call “rushing”. We were successful finding them as well as several other birds; some familiar and others new, and it was neat to see many birds I know and see only when they Winter near me in and the Pacific Flyway in their Spring Breeding plumage.

Yesterday morning I was following this male Robin around trying to take his photo when he caught up with the female and I happened to press the shutter catching them “in medias res”.

Nikon D700| Nikkor 300mm f2.8 + 20eIII TC =600mm| f8| 1/1600s| ISO1600|Manual Priority|
Tripod| American Robin

Moon-struck madness!

Copyright © Deborah M. Zajac. All Rights Reserved.

Yesterday myself and 3 friends went up to Yosemite National Park where we met more friends to photograph a Moonbow.
This is my first Moonbow, and my first Vertorama.

A moonbow can only happen when a full moon is shining reflected sunlight on the falls at an angle of 42º or lower, there must be water, or a mist, and it must be dark enough to see it.

There were nearly 200 people here on the little plaza and bridge to Lower Yosemite Fall last night by my quick head count in the dark. As the night wore on more people kept coming!

It was a lot of fun and I’m looking forward to capturing a Moonbow over Upper Yosemite Fall in the future.

I must say a word about the Vertorama. Paul Bruins a fellow Flickrite is the first person I knew of doing Vertoramas. He has generously written a tutorial for our use. You can read it here:
http://www.flickr.com/groups/vertoramas/discuss/72157602953001077/

I have to thank my freind Steven Christenson for “thinking out loud” last night and saying I think I’ll try a Vertorama too.” That was a reminder to me to finally try one.
I was a bit confused on how one moves the camera up, and Steven suggested the same thing Paul does and that is tilt the camera up without moving the tripod. So that is what I did. I’m going to try more of them now that I have the first one under my belt.
This is 2 frames stitched together in CS5. I’m looking forward to capturing a Moonbow on Upper Yosemite Fall in future.

Nikon D700| Nkkor 35mm f2 @ f2.8| 38 seconds| ISO 400| Manual Priority| Tripod

A Nocturnal Adventure

Copyright © 2012 Deborah M. Zajac. All Rights Reserved.

I finally got this shot! I’ve wanted to take a photograph from here for over a year. Last year my friend Dali and I did some recon trips to get the logistics worked out.  It’s a tricky place to get to, and a rare view I believe. We’ve kept this shoot on our “short shot list” but haven’t been able to fit it into our schedules until now. It was well worth the effort, risks, and steep climb to get it. The weather this evening was perfect. It was warm, with a slight breeze, and the fog was thin and stayed outside the Bay while we were here. I don’t know if I’ll ever get back here to photograph this view again or not, but I do hope so.

San Francisco, California, Bay Bridge, Pacific Ocean

Nikon D700| Nikkor 18mm Ai-S| f11| 30 seconds| ISO 200| Manual Priority| Tripod

In the Face of the Sun

Copyright © 2012 Deborah M. Zajac. All Rights Reserved.
“To fling my arms wide
In the face of the sun,
Dance! Whirl! Whirl!
Till the quick day is done.”
~ Langston Hughes-Dream Variations Sunrise over Lick Observatory San Jose California
Last week on the 21st of March several friends and I rose before dawn to meet to photograph the Crescent Moon rising over Mt. Hamilton, and James Lick Observatory in San Jose, CA.

We also knew that shortly after the Moon rose the sun would also rise over
Mt. Hamilton, and the observatory, but we needed to change our location
to get the angle right. Arriving at our chosen place; a wide open field that once was a neighborhood, long torn down;

the only reminders were the scars of streets, foundations, and the trees, shrubs, and grass which dripped with morning dew.

We walked carefully through it avoiding the holes that housed the Gophers who reside there now until we found just the angle that faced the Rising Sun.

We set up our tripods, camera gear, and we donned special armor this day; a filter to protect and shield our sensors, and eyes.

Then we waited and watched the brightening sky for the first little glimmer of the golden halo that announces the rising morning star!
Blended double processed frame + 1
Nikon D700 & D300s| Nikkor 80-200mm + Tamron 1.4x Extender
How I made it
When I took the photograph I used a Solar filter which protected my camera’s sensor, and my eyes.
This is what it looks like RAW from my camera. I really like all the foliage in silhouette, but I knew in order to recover the color
of the sun I would lose all that detail.
I wanted a finished photograph that included the silhouetted foliage, and color in the sun.
To do that I would have to blend or combine at least 2 frames. I made a copy of the negative above then uploaded that into my photo editing software Lightroom 4.
Then I removed all the color and silhouetted foliage in order to recover the sun’s color.
Once that was done I had this frame. I made another copy of my original negative then uploaded both it,
and the edited negative above into Photoshop CS5 where using layer masks I blended the two frames together.
It was pretty, but I thought it lacked something to make the composition balanced, and a bit more interesting so I added a Golden Eagle.
A photo I had taken back in January of this year. I cloned out the sun flare spot, and added my copyright signature et Voila! Fini!
My companions that morning have published their photos from the morning which
you can see by following the links here, here, here,and here,

Smoke Gets in Your Eyes

Copyright © 2012 Deborah M. Zajac. All Rights Reserved.

What do you do on a rainy day and you’ve got an urge to break out the camera and shoot something? Try something new! About a month ago artist/photographer Linda Clower whose creativity, and talent I’ve long admired began experimenting with Smoke Photography. Her results are stunning, and I’ve wanted to try it myself since seeing hers.

I set my Nikon D700 mounted with a 35mm f2 lens on a tripod with the on board flash set to fire, and used a lamp on camera right. Using a couple of yards of Ultra Suede purchased for a DIY back-drop which I taped with painters tape to wall  then draped the excess over my sideboard to use as a base to set my incense dish. Setting the incense about a foot from the back of the backdrop I lit the incense, dimmed the lights and took a few shots. Below is my first attempt.

It’s rather soft. Not at all the crisp photo I had hoped to create, but I do like the surreal, and arty feel to this finished work.  However I wanted to be able to get the crisp shot I was hoping to capture.

I think the room was too bright. I decided to try it again on another day.

I woke up early motivated to try Smoke Photography again, but with changes. I decided to use my Nikon SB600 Speedlight instead of a lamp or clamp light, but I needed a Snoot to direct the light on the smoke. I’d seen DIY Snoots before and knew I had just about everything at home to make one so, I rooted around the kitchen cupboards looking for a box to make the Snoot. I found the perfect box in the refrigerator; a large rectangular tea box.  I cut it to fit around my Speedlight then covered both sides with Gaffers tape. Not having any velcro in the house to seal it closed around the Speedlight, and be able to re-use it in the future I used painters tape to close it. Soon I’ll purchase some velcro for it.

Here’s my DIY 7.5in Snoot

Now it was just a matter of waiting for evening when the light would be dimmer. The light got really dim outside due to rain clouds so I closed the blinds and set this up then started shooting before the sun came out again.I changed my set up this go round. Here’s the set up I used this afternoon D700 mounted w/35mm f2 lens, hand-held. I moved the lamp(camera right) closer, and I tried to keep the light from spilling onto the back with the shade. I wanted the light from the lamp to light up the smoke so I could focus on it and get the crisper shot. The Snoot was camera left.  My settings were: ISO 800, f11, 0.3 seconds, Manual mode, and manual focus.

I’m much happier with this result.

Nikon D700, D300s, 35mm f2, and 50mm f1.8

Here are some tutorials that  I used to  help me create this shot and  get some help with post editing.

http://www.youtube.com/watch?v=Iv39UmuiYNA&feature=player_embedded#!

http://www.sublime-light.com/index.php/2007/06/14/smoke-part-2-how-to-process-smoke-photographs/

http://www.youtube.com/watch?v=J2d281_HoEQ

Northern Pintail

Copyright © 2012 Deborah M. Zajac. All Rights Reserved.

I’m looking through some photos of earlier birding trips and finding a few I like more now than when I first uploaded them.
Colusa National Wildlife Refuge.

Nikon D700| Nikkor 70-300mm @300mm| f5.6| 1/2000 sec| ISO 500| Manual Mode| Tripod| January 2012

Cooper’s Hawk or Bird on a Wire

Copyright © 2012 Deborah M. Zajac. All Rights Reserved.

The Copper’s Hawk that I saw in my neighbor’s tree back in late Jan. was on the power lines in my back yard this evening!
I grabbed my camera and hoped he was still there.  While I was viewing the playback he flew away and I missed the “in flight” shot. ARG!
I was so excited to see him, but he must be here because there is a pair of nesting Mourning Doves nearby. I suspect he’s after the chicks. I hope he comes back so I get a flight shot, but I don’t want him to get the chicks!

Nikon D700| Nikkor 180mm f2.8 @ f4.5| 1/640 sec| ISO 200| Manual mode| Hand-held