I wrote the date down for June’s full moon and it’s position to set over the San Francisco skyline back in Feb. I had hoped I would be able to photograph it, but you know what they say about, “The best laid plans…”
I had work scheduled early this particular week on the days of the full moon setting, so couldn’t make it up to the city. The first free morning I had to try it was Friday. The moon was 98% full, and a lot higher than I had wanted it to be, but I wanted to try it anyway. Practice! Had I waited for the Moon to be lower where I really wanted it, it would have been daylight and too bright. By 5:30a.m. it was too light. So light that the lights on the bridge went off then!
The belt of Venus is lovely isn’t it. The skyline was diffused by a light fog hanging over the city.
I love it when even the failures are fun, and the view is pretty, and friend Downhill Dali who is so NOT a morning person got up, met me, and went up to the city with me to shoot. Thanks Dali!
This is the other snake I mentioned seeing while hiking down from Black Mountain last week.
I think this is a Night Snake. Please correct me if I’m wrong! Not the best photo I know the background isn’t great, but he picked his spot well didn’t he.
I’m seeing snakes on nearly every hike these days. While up in the Sonoma area last week-end I nearly stepped on a large Gopher Snake…and Thurs. I saw Kingsnake sunbathing in the middle of the trail. Signs of Summer!
If you’ve ever tried to capture a photograph of a beautiful sunset you know just how challenging it can be. Time is the enemy. The light and color fade as the shadows deepen with the setting sun, and you only have minutes to shoot that precise moment when all the elements come together. Photographer and lifelong Hawaii resident Todd Maeda captures those magic moments time after time, and shares with us how he did it on this beautiful tropical evening in Oahu.
Photo by Todd Maeda
Q. Tell us about this location.
Todd: This is at Kaka’ako Waterfront Park, in Honolulu, Hawaii, a State park that was reclaimed from the old town dump. It is situated near the entrance of Honolulu Harbor, so there is a stream of boats and ships going in and out. It’s part of the game; ship, barge, wave, sunset… A “go to”spot for solid sunsets while keeping your feet dry; most of my mid-week forays are right after work, so I am usually still in work attire.
This particular spot is on a hill closest to the harbor. At the bottom of the hill, about the center of this image, is a MADD (Mothers Against Drunk Driving) memorial. Rather poignant, and a decent sunset subject/foreground. The vantage point is such that I actually get better views of the water, and usually fewer people. Usually. A problem with this spot, and actually any spot on a hill in the park, is the maintenance crews sometimes turn on the sprinklers in the middle of the sunset. Something to watch for.
Q. What time of day?
Todd: This was that magic moment around 15 minutes after the sun sets, when the colors “pop,” then die quickly. During the “winter” months, so a little after 6PM. Yeah, I know; Hawaii don’t have winters. Hey, we have to wear warm shorts, so there!
Q. How difficult was this to capture?
Todd: This was a fairly basic capture; hardest thing is to be sure you have everything you want in the frame. Since I do a fair amount of post-processing, I try to give myself some latitude in the composition for possible creative cropping, which I did here.
Q. How did you expose for this shot?
Todd: I used a 3-stop Reverse Graduated Neutral Density filter to hold back the light at the horizon, as it was still bright enough to darken the foreground without it. Other than that, Aperture Priority on Matrix Metering (Nikon’s equivalent to Canon’s Evaluative mode), because the light is moving so quickly. I usually input -0.7EV, because I prefer that look. This one ended up at ISO200, f/22 for 1/4 second; you can see a bit of the effect in the trees and water.
Q. What camera and lens did you use for this shot?
Todd: The Nikon D700 is my standard landscape body. I had the Nikkor 17-35mm/2.8D mounted for this shot, as it is the widest reasonable lens with filter threads I have; I did know I would be using filters for this particular day, based on the sky. Had that mounted on a Really Right Stuff BH-55 ballhead on a Gitzo GT1531 tripod, with the Rapid-Rise column at the lowest position.
You can see more of Todd’s photographic work here:
I spent a long week-end up in the Sonoma Coastal area with Naturalist Jon Menard and 6 other hikers this was one of the first places we stopped to visit. I enjoyed the garden so much I didn’t have a chance to go in the house! You know what that means don’t’ you? Right! I must go back.
For the Historians:
The famed horticulturist Luther Burbank made his home in Santa Rosa for more than fifty years. On this garden site and in nearby Sebastopol, Burbank conducted the plant-breeding experiments that brought him world renown. His objective was to improve the quality of plants and thereby increase the world’s food supply. In his working career Burbank introduced more than 800 new varieties of plants- including over 200 varieties of fruits, many vegetables, nuts and grains, and hundreds of ornamental flowers.
Canon Shooters, there are still 2 more dates to catch this workshop in the USA!
” Canon’s video-capable EOS cameras have changed the way filmmakers conduct their craft. They’ve opened the door to a striking and emotive new style of storytelling. Whether you’re an event photographer looking to understand cinematography better, an amateur looking for a new “angle” on your favorite subjects, a wedding professional looking to take your stories to new levels, or a production professional interested in using EOS HD for a quicker, more intimate production workflow, this three-day workshop will expose all of the potential you have in telling your EOS stories. Through an exploration of many of the facets that compose a film; light, camera movement, lens choice/color, storyboarding, and post/editing, we will deconstruct the story and put it back together again.”
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